A camera shift to Lynn. I’ve relied heavily on camera shifts in this contest and all of them have been abrupt. Not sure what I think about that.
Panel 1 here is just my first foray into horrible horrible anatomy and perspective.
I used a lot of layer masks in this piece. Not something I normally do. A layer mask lets me paint transparency on art without ruining it. For that 100% mysterious motion blur in panel 4, for example. the detail of the blur exists where Lynn’s head is, it is just selectively transparent. Cool trick.